Fellow writers, read this simple solution. Eureka! This happens to me a lot! Chuck Wendig is a genius.
While you can’t predict exactly what an editor will or will not like, there are a couple things you can do to ensure that your story has a fighting chance when you submit it to a literary magazine (and won’t cause anyone to scream and/or tear their hair out in frustration).
This is PART 2 of a multi-post series. For PART 1, click here.
Build Urgency From The Beginning
Lack of urgency is the number one reason why I turn down stories. The prose might be beautiful, but I can’t be sold on that alone. Your story needs to open with a bang and keep me hooked from sentence one.
If your story starts out with two characters discussing the weather, then I probably won’t read on (unless they’re talking about sharknados). Another pet peeve of mine: when a story starts off with a description of scenery. While this can…
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these are very good! thanks!
1. Write the sentence, not just the story
Long ago I got a rejection from the editor of the Santa Monica Review, Jim Krusoe. It said: “Good enough story, but what’s unique about your sentences?” That was the best advice I ever got. Learn to look at your sentences, play with them, make sure there’s music, lots of edges and corners to the sounds. Read your work aloud. Read poetry aloud and try to heighten in every way your sensitivity to the sound and rhythm and shape of sentences. The music of words. I like Dylan Thomas best for this–the Ballad of the Long-Legged Bait. I also like Sexton, Eliot, and Brodsky for the poets and Durrell and Les Plesko for prose. A terrific exercise is to take a paragraph of someone’s writing who has a really strong style, and using their structure, substitute your own words for theirs, and…
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This was really interesting, cause I usually fail at delivering the right dose of sucker punch.
Last week, I talked about book openings in one of my posts. This post talks about the other end of your book, the ending. It will briefly discuss the types of endings and the importance of choosing the right one for your book.
Leaving the reader hanging – is it a good idea?
Many sources will tell you not to end your book with a cliffhanger. The reader needs some satisfaction or a happy ending to complete their reading experience. In my opinion, the answer to this is not quite that simple.
As someone who has written a series, I strive to make each book capable of being read as a standalone story. There is, however, a backstory arc for my main character that continues from book to book. What I like to do is resolve the current story within the book but provide a lead in to the next…
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- “What’s with the eyes? ALL of them look like this?!” I held up the family photo album with childhood pics of my fiancé.
- “What did I tell you about dating dragons?” – “Uh… Not to use them to light Molotov-Cocktails?”
- “Darling, the fridge is doing the thing again! I’ll call the exorcist now.
Hate it when the eggs try to talk me into blood sacrifice.“
- “STOP TICKLING THE MINE! It’ll laugh and it’ll blow!”
- The dragon tried to slide his claw over the touchscreen of his phone. He growled but nothing happened.